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OtherNetworkProductions
Exhibition
Johannesburg
Dim Corners
From: Pivô, São Paulo
To: NGO Nothing Gets Organised, Johannesburg
November 16, 2024 – January 31, 2025
For the third iteration of OtherNetwork’s flagship curatorial project, NGO - Nothing Gets Organised partnered with renowned Brazilian non-profit art space Pivô, for a conversation between the cities of Johannesburg and São Paulo.
Conversation
Accra
Johannesburg
Foundation for Contemporary Art, Accra x Nothing Gets Organised, Johannesburg
OtherNetwork Conversations
March 23, 2024
FCA Ghana co-director Ato Annan discusses how the space became a hub for Accra’s wider artistic community, before being joined by Sinethemba Twalo from NGO to talk about collaborative modes of artistic production, and their mutual appreciation of the inspirational figure of W.E.B. Du Bois, whose final home and resting place sets the scene for the exhibition.
Production
Johannesburg
On Show, Welcome
A Conversation about Independent Cultural Production in Johannesburg
September 15, 2023
On September 15, 2023, OtherNetwork hosted an intimate panel discussion at The Library of Things We Forgot To Remember – an interactive sound and visual archive of black resistance that was founded in 2017 by Zimbabwean artist Kudzanai Chiurai.
Editorial
Johannesburg
Interdependence
The Studio as a Shared Collaborative Space: Notes on a Prototype
Bhavisha Panchia, Carly Whitaker and Chad Cordeiro
October 26, 2022
The ecology of the artworld in South Africa today relies on support from public and private institutions. Yet there is a deficiency of state and municipal funding for maintaining public art institutions as well as supporting exhibition programming, acquisitions, and publishing. This has led to privately-funded institutions…
Editorial
Johannesburg
Interdependence
My Ever Whirling Dust
Keleketla! Library and Sumayya Vally
October 25, 2022
We are currently located in Troyeville, which is on the east side of the city, close to Maboneng, and just next to the Jeppe police station. We are there as part of our placemaking and worldmaking practice, but also as part of our ethical exile from the Drill Hall.